Historical Dates, Sovereigns, Periods and Influences & Styles of Great Britain
 

1558

Elizabeth I

Elizabethan

  

1603

James I

Jacobian

Renaissance 

1625

Charles I

Carolean

Baroque  1630-1750

1649

Commonwealth

Cromwellian

  

1660

Charles II

Restoration

  

1685

James II

Restoration

Chinoiserie  1680-1770

1689

William & Mary

William & Mary

  

1702

Anne

Queen Anne

  

1714

George I

Early Georgian

Rococo  1730-1750 

 

 

 

By the early 1720's the first hint of French Rococo could be seen in England and it was a complete change. The smiths adopted the style with great enthusiasm, as the decoration was so fantastical compared to the plain elegant style that preceded it. The swirling movement of water is one of the main elements of the rococo, along with masks, and naturalistic floral displays. The Shell was a common motif with its frilly fluted edges and crusty surface texture. However, by the 1760's the style had lost its sculptural quality and the work was in danger of becoming quite crude.

1727

George II

Georgian

Gothic Revival  1750-1770

The Gothic Revival was part spiritual movement, part recoil from the mass produced monotony of the Industrial Revolution. It was a romantic yearning for the traditional, comforting past. The style is ecclesiastical with an emphasis on arches and spires.

1760

George III

Late Georgian

Neo-Classical  1750-1805

 

 

 

Classical decoration based on Ancient Greece and Rome came into fashion. Swags, urns, wreaths, rams heads, Greek key borders and drop ring handles were in frequent use in silver although often large areas were left unadorned so that the reflective surfaces emphasized the elegance of the shapes and the grace of the proportions.

1820

George IV

Regency

Regency  1811-1830

 

 

 

The term describes pieces that are often similar to the earlier Neo-Classical style yet are inclined to be pompous and heavy.  Often characterized by applied gadroon (rope-twist) borders, with added shells, and floral motifs. Sometimes Egyptian motifs are apparent reflecting the interest at the time of these ancient styles and excessive details.

1830

William IV

William IV

Eclectic 1830-1880

1837

ictoria

ictorian

ictorian, Art & Crafts 1870-1900

 

 

 

The 18th century passion for antiquarianism continued into the early Victorian era, stimulating a revival of several historic styles that all flourished simultaneously: naturalism was added to the rococo, gothic and neoclassical remained popular. (Gothic refers to an ecclesiastical style of spires, pointed arches and cast figures.)

 

Towards the end of the century there came about the Arts and Crafts movement.  It was not only an aesthetic movement but also a social one expressing the widespread dissatisfaction with the quality of mass produced items. An admiration for folk art and for the old guilds of medieval craftsmen was also apparent.  The principle beliefs of the Arts and Crafts movement was that items should always be what they seemed, i.e., no jugs disguised as castle turrets, and that the decoration should enhance the piece not conceal it.  The hand hammered finish is one of the main characteristics of this style.

1901

Edward VII

Edwardian

Art Noveau 1884-1918

 

Influence and Style abstracted from www.bryandouglas.co.uk